Congratulations on the publication of ALMOST BROWN by Charlotte Gill publishing today with Crown!

An award-winning writer retraces her dysfunctional, biracial, globe-trotting family’s journey as she reckons with ethnicity and belonging, diversity and race, and the complexities of life within a multicultural household.

Charlotte Gill’s father is Indian. Her mother is English. They meet in 1960s London when the world is not quite ready for interracial love. Their union results in a total meltdown of familial relations, a lot of immigration paperwork, and three children, all in varying shades of tan. Together they set off on a journey from the United Kingdom to Canada to the United States in an elusive pursuit of life, liberty, and happiness—a dream that eventually tears them apart.

Almost Brown is an exploration of diasporic intermingling involving two eccentric parents from worlds apart and their half-brown children as they experience the paradoxes and conundrums of life as it’s lived between race checkboxes. Their intercultural experiment features turbans and tube socks, chana masala and Cherry Coke. Over time, Gill’s parents drift apart because they just aren’t compatible. But as she too finds herself distancing from her father—Why is she embarrassed to walk down the street with him and not her mom?—she doesn’t know if it’s because of his personality or his race. Is this her own unconscious bias favoring one parent over the other in the racial tug-of-war that plagues our society? Almost Brown looks for answers to questions shared by many mixed-race people: What am I? What does it mean to be a person of color when the concept is a societal invention and really only applies halfway if you are half white? Eventually, after years of silence, Gill and her father reclaim a space for forgiveness and love.

In a funny, turbulent, and ultimately heartwarming story, Gill examines the brilliant messiness of ancestry, “diversity,” and the idea of “race,” a historical concept that still informs our beliefs about ethnicity today.

Praise for ALMOST BROWN:

“Almost Brown is that rarest of things: a memoir that is both deeply intimate and intellectually ambitious. It fearlessly examines race and the issue of belonging, and at the same time is a tender, touching, often very funny tale of growing up and finding your way. Charlotte Gill is a narrator you come to love.”—Susan Orlean, author of The Library Book

“What a graceful, textured world Gill gives us, living and growing between cultures, colors, and her own parents’ marriage and divorce. The beautiful bow she binds this gift with comes not only from the tension of a society that asks us to pick sides—one favored greatly over another—but from our own mixed identities and the realization that we must love ourselves whole.”—Carmen Rita Wong, author of Why Didn’t You Tell Me?

“Gill fearlessly examines the complexities and subtleties of growing up mixed-race, offering an exploration of identity and belonging that is beyond skin tone and nationality, and a sharply observed commentary on one’s own privilege and bias. Intimate, moving, and whip-smart, Almost Brown dazzles with humor and heart.”—Ayelet Tsabari, author of The Art of Leaving

“With humor and insight, Gill traces the quicksand of assimilation, her immigrant parents’ dogged pursuit of the American Dream, and the job uniquely left to first-generation children to rediscover the homeland they’ve never known. . . . A joyful read of memory and forgiveness.”—Hafizah Augustus Geter, author of The Black Period

“This glorious story kept me up at night, pondering everyone’s ‘ancestral stew’ and Kismet as the wondrous origins—and future—of our species. Exquisitely written, deeply researched, and tenderly observed, this is memoir at its finest.”—Plum Johnson, author of They Left Us Everything

“Brilliantly observed and astute with sharp and tender character descriptions, Almost Brown is a gorgeous telling of a complicated family history and an essential exploration of race and belonging. Gill writes with her multifold gifts of lyricism, sly humor, and an expansive understanding of what it means to have your entire identity marred by generations of dysfunction, racism, diaspora, and childhood instability. Here is a memoir teeming with abundant heart, truth, and grace, as narrated to us by an expert writer with dazzling vision.”—Lindsay Wong, author of The Woo-Woo

“Beautifully written and appropriately irreducible, this book hit me in all sorts of funny-tender spots. Through immersive investigation and sharp social commentary, Gill overturns humanist platitudes and dicey purisms while recognizing the ongoing power of colonial hierarchies and racial arrangements. . . . A truly moving and insightful book.”—Kyo Maclear, author of Birds Art Life

“Moving . . . In lyrical, near-poetic prose, Gill uses [the relationship between her and her father] as a springboard to touch on themes of belonging and identity-making relevant to anyone who has ever struggled to place themselves within their own lineage. . . . Readers should expect to have their heartstrings tugged.”—Publishers Weekly

Charlotte Gill is the author of Eating Dirt, a tree-planting memoir nominated for the Hilary Weston Writers’ Trust Prize, the Charles Taylor Prize, and two B.C. Book Prizes. It was the 2012 winner of the B.C. National Award for Canadian Non-Fiction. Her previous book, Ladykiller, was a finalist for the Governor General’s Literary Award and winner of the B.C. Book Prize for fiction. Her work has appeared in Best Canadian Stories, The Journey Prize Stories, and many magazines. She is currently faculty in creative writing at UBC and in the Creative Nonfiction program at King’s College. She lives on the Sunshine Coast of B.C.

Charlotte is represented by Samantha Haywood.